Registration for the Autumn one-day meeting at the Allard Pierson on 11 October 2024

The Society for the History of Alchemy and Chemistry (SHAC), in collaboration with the Allard Pierson of the University of Amsterdam and the Centre for History of Hermetic Philosophy and Related Currents (HHP), will hold its Annual Autumn Meeting at the Allard Pierson, Amsterdam, on 11 October 2024, starting at 9:30 am and ending at 16:30 pm. The meeting will be hybrid, although we strongly encourage in-person attendance.

You can register here: https://allardpierson.nl/en/events/en-autumn-meeting-shac/

The emphasis will be on the Bibliotheca Philosophica Hermetica State collection, one of the extensive collections housed at the Allard Pierson. This library holds approximately 4,400 rare manuscripts and printed works related to the hermetic tradition, assembled by the Dutch entrepreneur Joost Ritman.

The keynote of the day is Professor Stephen Clucas (Birkbeck, University of London):
‘Thomas Harriot and the alchemy of the Northumberland Circle’

Speakers and topics will include:
Sergei Zotov: ‘An image series in the Traumgedichte der siebe Säulen’
Tjalling Janssen: ‘Elemental beings, discourses of nature, and Paracelsian reception in Georg von Welling’s Opus mago-cabbalisticum et theosophicum’
Corey Andrews: ‘Alchemy in the Geheime Figuren der Rosenkreuzer (Secret Symbols of the Rosicrucians), with reference to an ‘extended’ 20th-century manuscript’
Kyra Gerber: “Es komt alles und allein” – Marginalia in a rare early edition of Kunrath’s work
Amber Richter: ‘The Fruit that Blossoms from the Daughter: The Hidden Dryads in Michael Maier’s Atalanta Fugiens’
Peter Forshaw: ‘Abraham Le Juif’s Livre des figures hiéroglyphiques’
Jennifer Rampling: ‘George Ripley’

Next SHAC on-line seminar, Thursday, 19 September 2024, 5pm BST

The next on-line seminar of the Society for the History of Alchemy and Chemistry will be given by Joshua Werrett (University of Oxford) who will present:

Imitatio Christi and the Aesthetics of Martyrdom in The Visions of Zosimos of Panopolis


This will be live on Thursday, 19 September 2024, beginning at 5.00pm BST (6.00pm CEST, 12 noon EST, 9.00am PDT). The format will be a talk of 20-30 minutes, followed by a moderated discussion of half an hour.


As with recent seminars the Zoom link can be freely accessed by anyone, member of SHAC or not, by booking through the following Ticket Source link:

https://www.ticketsource.co.uk/society-for-the-history-of-alchemy-and-chemistry/t-dvqkvvg

The seminar will be also accessible live on YouTube at https://www.youtube.com/live/CELBazvrfeQ

Most previous on-line seminars can be found on the SHAC YouTube Channel: https://www.youtube.com/SocietyforHistoryofAlchemyandChemistry

Imitatio Christi and the Aesthetics of Martyrdom in The Visions of Zosimos of Panopolis

Joshua Werrett

The alchemical practice of Zosimos of Panopolis is not just about the transformation of metals; it is about the transformation of the self. This double meaning is found throughout Zosimos’ works, but is perhaps most noticeable in his Visions. In this text, Zosimos uses alchemy as a theurgic practice to understand salvation, a practice which is allegorised as having four major stages: baptism; violent punishment; the separation of body and soul in death; and rebirth as a spiritual entity. These steps, taken by several characters throughout the text, clearly mimic major points in the life and death of Christ. In this talk, I present the argument that the imitation of Christ and the imitation of early Christian martyrs, themselves imitating Christ, are key motifs in the violent, redemptive, sacrificial aesthetics of Zosimos’ text. Analysing the main ideas, images, and phrases in The Visions, I conclude that themes from the New Testament and martyrological literature are pervasive. Overall, I hope to demonstrate that those being reborn as spirits throughout Zosimos’ text are not being reborn in a vacuum; rather, Zosimos suggests that, in being reborn, they follow in the footsteps of alchemists and Christian martyrs before them, in a long imitative line of suffering and transformation, which ultimately starts with Christ.